I'm author ELLE STRAUSS and welcome to my website!

I write fun, lower Young Adult (teen) fiction to do with whimsical things like time-travel, fairies and merfolk.

When my serious side peeks out, she's called LEE STRAUSS. She likes to write upper YA about real things that have happened in the past, or made up things that could quite possibly happen in the future.

This blog is about books, mine and other fab authors', but occasionally I'll share about other topics.

Thanks for dropping by!

Monday, May 14, 2012

Those Beautiful, Horrible Beginnings-The First Sentence

The posts I've done on the craft of writing lately have been getting a lot of interest, so I thought I'd re-post some of my writing tips, maybe once a week until I run out :)


Where I do I start, I ask you, where do I start???

If you’re like me, you’ve jumped around from starting position to starting position, pulling your hair out as you go. If you’re not like me, well, lucky you.

Beginnings are so difficult for me, I almost feel like apologizing that I’m trying to instruct on how to write them at all. The most I can hope for is that you will learn from my mistakes.

But you have to start somewhere. So pick a spot and start. It’s only by trying it on for size that you’ll be able to tell if it fits.

And I can tell you this: you’re probably going to re-write your beginning many times, so don’t get too hung up on it at first. Just write it and move on.

But, for the purpose of the following instruction, let’s assume that you are at revision stage and want to nail that beginning sequence.

Let’s start with the first sentence.

What does a great first sentence look like? Let’s look at a few from the assortment of books I happen to currently have in my possession.

THE CAY by Theodore Taylor: Like silent, hungry sharks that swim in the darkness of the sea, the German submarines arrived in the middle of the night.

GOING BOVINE by Libba Bray: The best day of my life happened when I was five and almost died at Disney World.

MATCHED by Ally Condle: Now that I found the way to fly, which direction should I go into the night.

BEFORE I FALL by Lauren Oliver: They say that just before you die your whole life flashes before your eyes, but that’s not how it happened for me.

And possibly the all time best first sentence ev-ah, PRIDE AND PREJUDICE by Jane Austin: It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.

Take a look at your own first sentence. If that’s all you had to go on, not the strength of the next sentence or paragraph, just the sentence itself, how would it strike you? Is it a strong sentence? Does it make you want to go, what comes next?

Here are a few of my first sentences.Some are keepers, and some are subject to change, but they're what I'm working with for now.

 The pillar of smoke rising on the horizon could only mean one thing: a farm, which meant food.

Everyone has to live with something.


Helena’s father had cautioned her against wandering alone outside the perimeter of their villa, as mingling with the family’s slave and servant children was not allowed.

Zoe Vanderveen tried to focus on her summer reading physics text but her eyes kept lifting away from her glass electronic reader to the dark haired boy across the room.

He stood at the bonfire with his head high, shoulders back, radiating a military type of confidence.

And let me share one more. This is from my son, many years ago when he was six:
In the beginning it was very exciting and in the end it was even worse.

(Pretty much wraps up the writing life, doesn’t it? :D)


Why is this important? Because opening lines hook us into reading the second line. And hopefully more. I know when I’m browsing for a book, this is what I do—I read the first sentence. And then the first paragraph. I may read the whole first page, but not likely. If the first sentence and paragraph don’t grab me, I shelve the book and choose another.

 How many pages do you give a book before you put it down?

5 comments:

  1. I'm like you. The first sentence is vital for me. It's how I judge (at least in part) the 'voice' of the story. I think it's not unlike meeting someone for the first time, and you just know you're going to like them and get along with them, or you feel immediately that they might be nice but you're never going to be tight friends.

    I'll go so far as to read the first few pages, but only if I like the 'voice' of the first sentence/paragraph. If I love the voice, I'll read on further, even if I think I won't like the story. If that makes any sense.

    Here are the first sentences of the two manuscripts I'm currently peddling to prospective agents:

    Life is so much easier without underwear.

    I have never been that guy.

    Both are YAs, the first a dystopian, the second a contemporary. I've never changed so much as a letter in the 'underwear' one, not in five years of working on the project. The second one has been completely rewritten several times, and although it isn't showing up in the comment, 'that' in the second first sentence is supposed to be underlined.

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  2. Yes! Jane was such a master!! Great opening choices.

    This is my major angst in writing. I've rewritten my opening for my YA novel at least 20 times, each time feeling 'This is it.' Blah.... I do think I've finally nailed it. Getting ready to query the world with it. ;D

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  3. Sometimes I give it the first chapter or more. Depends. I wasn't into the first chapter of Revolution by Jennifer Donnelly or Under The Never sky by Veronica Rossi but so glad I read on because they both turned out incredible!

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  4. oh, yeah. That P&P first line is classic. Literally--LOL! :D But first lines aren't really my undoing. It's LAST lines. Bluh. Getting that ending just right is HARD! I think it's all a mental game. We have to relax and stop psyching ourselves out~ :D <3

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  5. "In a hole in the ground there lived a hobbit." Supposedly the whole LOTR started from Tolkien randomly scribbling that on a piece of paper. But then, he was a genius.

    I actually go more by the blurb on the back than the first line of the story when I read a book. But good hooks are still vital.

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